(B-Stock) Zoom F4 Multitrack Recorder

F4 comes as is alone without a box. Unit has lots of scratches around it. In good working condition, however main outputs and headphone out is unbalanced.

1 in stock

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Hollywood Sound Goes Indie

Creators are making more waves in film than ever before. Thanks to affordable technology and distribution channels like YouTube, we’re ushering in a new era of creativity…and it’s only just begun.

The Zoom F4 propels your film’s sound to a whole new level. With 6-input/8-track recording, super-low-noise mic preamps, and time code with pinpoint accuracy, the F4 offers Hollywood sound at an indie budget.

We didn’t change the industry. You did.

By putting high-quality sound front and center, you’ve changed how audiences experience film. That’s why we created the Zoom F4. So professional quality sound is always within reach.

The F4 was designed with you in mind, at a price never before thought possible.

Super-low-noise microphone preamps

The F4 is equipped with our highest-quality mic preamps. Like the F8, the F4’s mic preamps enable pristine recording and playback at resolutions up to 24-bit/192 kHz. Its impressive audio specs include an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line-level inputs.

Zoom AutoMix™

Zoom AutoMix™ takes some work off your plate, automatically adjusting the levels of your mix and helping you reduce any ambient sound. Now with this smart software, you can focus on what really matters – capturing a well-balanced mix.

TCXO Time Code

For precise audio/video syncing, the F4 utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy—even when powered off! The F4 supports all standard drop frame and non-drop formats, and can jam sync to time code provided by external devices. Standard BNC connectors enable easy integration into any rig.

Advanced Look-Ahead Hybrid Limiters

Advanced Look-Ahead Hybrid Limiters add a 1 millisecond delay that enables the limiters to “look ahead” anticipating clipping before it’s recorded. Limiting can be applied to each of the 6 channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release.